« Tess and Clare Suddenly Among the Monoliths | Main | A Web for Memories: Or, Will Joshua Foer Help Me Win Jeopardy!? »

06/04/2011

Comments

Feed You can follow this conversation by subscribing to the comment feed for this post.

Dallas Crow

Does anything date this more clearly than the title and credit font?

Tom Nissley

I think that's the same font Pound used to set the Cantos, right?

Josh Feit

Ed Asner in cast credits.

Tom Nissley

His big scene (as the local cop) comes toward the end, when he defuses a sit-in at the local supermarket by out-liberaling the liberals until the protesters don't know what to do.

The comments to this entry are closed.

My Photo

Order A Reader's Book of Days

Fortnightly Firmament #14: Writers Facing Death

  • 1. Jonathan Swift on the death of Mrs. Johnson
  • 2. Stieg Larsson at 22
  • 3. Thomas Bernhard's anti-Austrian will
  • 4. Beth Alcott's mist floats away
  • 5. David Rakoff's last dance
  • 6. Irene Nemirovsky's raft in an ocean of leaves
  • 7. Michel de Montaigne's other half
  • 8. Sigmund Freud's last reading
  • 9. Christopher Hitchens's hospital library
  • 10. Margaret Wise Brown's final kick
  • 11. Heinrich von Kleist's joyous pact
  • 12. William James's goodbye to his father

Become a Fan

Blog powered by Typepad

Fortnightly Firmament #14: Writers Facing Death

  • 1. Jonathan Swift on the death of Mrs. Johnson
  • 2. Stieg Larsson at 22
  • 3. Thomas Bernhard's anti-Austrian will
  • 4. Beth Alcott's mist floats away
  • 5. David Rakoff's last dance
  • 6. Irene Nemirovsky's raft in an ocean of leaves
  • 7. Michel de Montaigne's other half
  • 8. Sigmund Freud's last reading
  • 9. Christopher Hitchens's hospital library
  • 10. Margaret Wise Brown's final kick
  • 11. Heinrich von Kleist's joyous pact
  • 12. William James's goodbye to his father